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SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
Join the Seoulbeats Writing Team!
“Supernova” is Campy, Chaotic, and Peak Aespa
Unsung Artists: February 2024
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SB Mid-Year Review, 2024: Experimentation and Storytelling Stand Out in Albums
Dreamcatcher’s “Justice” Struggles with A Cohesive Topic
Red Velvet Play It Safe in “Cosmic”
Jaejoong’s “Flower Garden” Never Quite Reaches Great
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The Midnight Studio: Tackling Death with Choice
Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
A Shop for Killers: Rich in Secrets and Action
My Demon: Choices and Consequences
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Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
Pandemic Blues: The Struggle of Small Companies and Idol Groups
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Seoulbeats Segments
For Your Viewing Pleasure: Sunshine & Rainbows
SB Mid-Year Review, 2024: Bold Imagery is the Name of the (Female-Dominated) MV Game
For Your Viewing Pleasure: Chaos in Colour
Week in Review, 7/8 to 7/14
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Hoppipolla Dives Deep With “And Then There Was Us”
Hoppipolla Brings Warmth and Comfort in “Spring to Spring”
CNEMA Explores More of their Cinematic Rock Alternative Sound in “Mobydick”
Roundtable: K-pop Resolutions for 2022
Superband 2 is a Rock Festival Lacking in Variety
Beats of the Week: The Accidental TXT Appreciation Roundtable
SB Mid-Year Review, 2021: A Smorgasbord of Stunning EPs
Beats of the Week: Taemin’s “Advice” Reignites Love for Shinee, K-dramas Reign Supreme
Beats of the Week: C-pop, K-Variety on YouTube & Everything In-between
Roundtable: K-pop Valentines of 2021
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