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The Evolution of the K-pop Album: From Profitability to Innovation
Bite Review: Yeonjun Impresses as a Performer but Falters Musically with “Ggum”
Jimin’s Artistic Evolution Shines in “Muse”
SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
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“Happy” Reflects the Best of Jin’s Voice and Values
The SB Mixtape, 11/14/2024: Surprises
G-Dragon’s “Power”: A Triumphant Return and a Bold Critique of His Drug Scandal
“Imaginary Friend” Sets a New Standard for Itzy’s Artistry
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A Virtuous Business: Friendships and Breaking Taboos
KCON LA Aspires for a Festival Feel and a Wider Reach
The Midnight Studio: Tackling Death with Choice
Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
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The Evolution of the K-pop Album: From Profitability to Innovation
Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
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Seoulbeats Segments
Week in Review, 11/18 to 11/24
For Your Viewing Pleasure: Cool Blue Dawn
Week in Review, 11/11 to 11/17
The SB Mixtape, 11/14/2024: Surprises
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Tag: MV Review
Winner Chooses Safe, Wholesome Fun with “Ah Yeah”
Golden Child’s “Spring Again” Offers Something Sweet, If Not New
Bae Jinyoung Is Too Safe with “Hard To Say Goodbye”
Super Junior D&E’s Artistry is Lost in “Danger”
“Fancy” Gives Twice Fresh Energy
N.Flying Coaxes Away the Cold with “Spring Memories”
BTS’ “Boy with Luv” Turns its Strengths into Weaknesses
Black Pink’s “Kill This Love” is an Aesthetic Mess
“I’m Home” is a Momentous Stop on the Minho Farewell Tour
KARD Explores Their Sensuality in “Bomb Bomb”
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