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The Evolution of the K-pop Album: From Profitability to Innovation
Bite Review: Yeonjun Impresses as a Performer but Falters Musically with “Ggum”
Jimin’s Artistic Evolution Shines in “Muse”
SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
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“Happy” Reflects the Best of Jin’s Voice and Values
The SB Mixtape, 11/14/2024: Surprises
G-Dragon’s “Power”: A Triumphant Return and a Bold Critique of His Drug Scandal
“Imaginary Friend” Sets a New Standard for Itzy’s Artistry
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KCON LA Aspires for a Festival Feel and a Wider Reach
The Midnight Studio: Tackling Death with Choice
Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
A Shop for Killers: Rich in Secrets and Action
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Taemin
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NCT 127
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The Evolution of the K-pop Album: From Profitability to Innovation
Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
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Seoulbeats Segments
For Your Viewing Pleasure: Cool Blue Dawn
Week in Review, 11/11 to 11/17
The SB Mixtape, 11/14/2024: Surprises
For Your Viewing Pleasure: Pop, Pop, Pop
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Tag: MV Review
The Rose Stick with Summer Tropes in “Red”
JBJ95 Tell a Beautiful Love Story with “Spark”
Seventeen Display Unrelenting Energy with “Hit”
Peniel’s “FLY23” Doesn’t Quite Hit all the Marks
Bang Yongguk’s “Orange Drive” is a Touching Gift For Fans
Itzy Own Their Aesthetic In “Icy”
Woosung’s “FACE” is Pleasing to Watch, But Forgettable
NCT Dream Make An About-Face in “Boom”
GWSN Differentiate Themselves with “Red-Sun”
Kang Daniel is a Colorful Storyteller for Debut Track “What Are You Up To?”
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