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The Evolution of the K-pop Album: From Profitability to Innovation
Bite Review: Yeonjun Impresses as a Performer but Falters Musically with “Ggum”
Jimin’s Artistic Evolution Shines in “Muse”
SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
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“Happy” Reflects the Best of Jin’s Voice and Values
The SB Mixtape, 11/14/2024: Surprises
G-Dragon’s “Power”: A Triumphant Return and a Bold Critique of His Drug Scandal
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KCON LA Aspires for a Festival Feel and a Wider Reach
The Midnight Studio: Tackling Death with Choice
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A Shop for Killers: Rich in Secrets and Action
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The Evolution of the K-pop Album: From Profitability to Innovation
Boys Planet: The End of “K-pop” As We Know It
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Kim Garam and the Power of Fans in Shaping Idol Narratives
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For Your Viewing Pleasure: Cool Blue Dawn
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The SB Mixtape, 11/14/2024: Surprises
For Your Viewing Pleasure: Pop, Pop, Pop
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Tag: MV Review
Apink Spellbind with the Glamourous “Dumhdurum”
Winner Bids Adieu with a Walk Down Memory Lane in “Remember”
Cravity Implores Fans to “Break All The Rules”
(G)I-dle Embrace their Sins in “Oh My God”
Hong Jin-young’s “Love is Like a Petal” Fails to Deliver a Conclusive Ending
Bandage Builds Their Sound and Envelops Lonely Listeners with “Invisibles” and “Square One”
Suho is Aesthetic but Modest for First Solo “Let’s Love”
Winner Shows Brotherly Love in “Hold”
Kang Daniel is Creative and Polished with Spring Love Song “2U”
Oneus Showcase a Soft, Nostalgic Side in “A Song Written Easily”
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