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The Evolution of the K-pop Album: From Profitability to Innovation
Bite Review: Yeonjun Impresses as a Performer but Falters Musically with “Ggum”
Jimin’s Artistic Evolution Shines in “Muse”
SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
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The SB Mixtape, 11/14/2024: Surprises
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“Imaginary Friend” Sets a New Standard for Itzy’s Artistry
The SB Mixtape, 10/31/2024: A Bittersweet Symphony
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KCON LA Aspires for a Festival Feel and a Wider Reach
The Midnight Studio: Tackling Death with Choice
Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
A Shop for Killers: Rich in Secrets and Action
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The Evolution of the K-pop Album: From Profitability to Innovation
Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
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For Your Viewing Pleasure: Cool Blue Dawn
Week in Review, 11/11 to 11/17
The SB Mixtape, 11/14/2024: Surprises
For Your Viewing Pleasure: Pop, Pop, Pop
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Tag: MV Review
Dreamcatcher’s Obsession in “BEcause” is Spine-Chilling
D.O. Teeters Between Clever and Kitschy in “Rose”
AkMu and IU are Entrancing in the Understatedly Hopeful “Nakka”
Ha:tfelt’s “Summertime” Is A Dark Take On A Classic Concept
Taeyeon Showcases Several Shades of Retro in “Weekend”
SF9 is Sophisticated, Sleek, and Sexy in “Tear Drop”
Day6 (Even of Day) Explores Loss in “Right Through Me”
The Case of the Missing Pool in Brave Girls’ “Pool Party”
Epik High’s “Rain Song” Leans Into the Universal
“Paint the Town (PTT)” Reveals Loona’s Strengths and Weaknesses
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