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Editors' Picks
Monsta X’s “Shape of Love” is Finely-Tuned K-pop That Comes From Experience
Jessi Criticises the Toxicity and Artificiality of Social Media in “Zoom”
Woodz: K-pop’s Professional Virtuoso
Pass the K-popcorn: The Worst (and Best) of Romcom Tropes
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Album Review
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Music
Oneus are Cunning and Confident (and maybe Time Travelers) in “Trickster”
AB6IX’s “Savior” is Unfortunately Underwhelming
Oneus Exude Confidence and Energy in “Bring it on”
Woosung Highlights the Beauty Within the Seemingly Mundane with “Moth”
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Our Blues, Ep. 1-10: Exploring the Bitter Blues of Life
Pachinko: An Ambitious and Epic Family Portrait of Resilience
Green Mothers’ Club, Ep. 1-8: A Critique on the Pressures of Academic Success
Soundtrack #1: Exploring the Beauty of Subtle, Everyday Romance
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Shin Min Ah
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Cha Seung-won
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Kim Woo-bin
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Pass the K-popcorn: Predicting 2022
GOT the Beat: A Disastrous Attempt at Girl Power That Instead Exemplifies K-pop’s Misogyny Problem
Home Sweet Home?: Horror and Home in “Squid Game” and K-pop MVs
Youth, Rebellion, and the Pressure of Korea’s Education Fever
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SM Entertainment
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Seoulbeats Segments
For Your Viewing Pleasure: Lines and Light
Week in Review, 5/16 to 5/22
The SB Mixtape, 05/19/2022: Unwind with Chill Hip Hop
For Your Viewing Pleasure: Pretty in Pink
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For Your Viewing Pleasure (FYVP)
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Tag Archive
Tag: Best Comebacks (MYR/EYR)
SB End-of-Year Review, 2021: Second- and Fourth-Generation Comebacks Lead the Way
SB Mid-Year Review, 2021: Strong Themes Make for Good Comebacks
SB End-of-Year Review, 2020: Comebacks Forging Ahead in a Standstill Year
SB Mid-Year Review, 2020: Comebacks that Set New Bars
SB End-of-Year Review, 2019: Comebacks that Push Musical Frontiers
SB Mid-Year Review, 2019: Comebacks Showcasing Artistic Growth
SB End-Of-Year Review, 2018: Comebacks With Range
SB Mid-Year Review, 2018: Comebacks with an Impact
SB End-of-Year Review, 2017: Comebacks Taking K-pop to the Next Level
SB Mid-Year Review, 2017: A Wide Variety of Comebacks
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