SB Mid-Year Review, 2019: Comebacks Showcasing Artistic Growth

While most of our Mid-Year Review discussions zoom in on a particular aspect -- dances, albums, MVs -- the comebacks category looks at the way the…

SB End-Of-Year Review, 2018: Comebacks With Range

It's that time of year again, when we at Seoulbeats look back and name our picks for the best of K-pop. Today, Lo and Vivien are debating who had the …

SB Mid-Year Review, 2018: Comebacks with an Impact

Comebacks come as the highlight of K-pop fandom life. They offer a chance to see our favorite idols in a new light, on television, and most importantly…

SB End-of-Year Review, 2017: Comebacks Taking K-pop to the Next Level

Our End-of-Year Review continues on from our discussions on the year's best debuts, indie artists, and dramas, to today's look at the comebacks that ha…

SB Mid-Year Review, 2017: A Wide Variety of Comebacks

Welcome back to the SB Midyear Review! 2017 has been a year loaded with quality comebacks. Many acts, both veterans and rookies, made returns-- some th…

SB End-of-Year Review, 2016: Veteran and Rookie Comebacks Alike Impress

There's nothing that excites K-pop fans more than the announcement of a comeback. In 2016, we fans were a bit spoiled with the sheer amount of comeback…

SB Mid-Year Review, 2016: Comeback Comeuppance

2016 has been an interesting year for the K-pop world. There is change on the wind: newer groups usurping their seniors, music diversifying in unexpect…

SB End-of-Year Review, 2015: Favorite Comebacks

"We're baaack!" Nothing makes fans rejoice more than hearing about a return of their favorite artists. We've been going over various categories for our…

SB Mid-Year Review, 2015: Landmark Comebacks or Middling Ones?

The K-pop audience is so constantly inundated by comebacks that it may be easy to overlook how much work is put into each work. For some artists, comeb…

SB End-Of-Year Review, 2014: The Best Comebacks

Let’s cut to the chase – the only thing more exciting than a debut is the comeback, a time in which artists are allowed to cement their past impression…