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All Fetish and No Subversion in Momoland’s “Wrap Me in Plastic”
How K-Pop Became the Perfect Comfort Soundtrack Amid the Pandemic
Roundtable: Favorite Articles of 2020
Interview: The Future is Bright for MCND
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ONF’s “Beautiful Beautiful” is a Euphoric Anthem for All
Chungha’s ‘Querencia’: A Self-Portrait In Four Parts
“Silent Boarding Gate” Unveils a Different Jun
Music and Lyrics: Zion.T, The Conflicted Celebrity
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Lovestruck in the City: An Imperfect but Joyous Celebration of Love
Mr. Queen: Funny at Face Value
True Beauty Ep. 13-16: Romance and Comedy at the Expense of a Powerful Message
Run On’s Leisurely but Gripping Run
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Shin Se-kyung
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Kim Ji Won
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How K-Pop Became the Perfect Comfort Soundtrack Amid the Pandemic
K-pop and its Evolving Relationship with English
The Evolution of Fandom Platforms
BTS’ Grammy Nomination: How Important is it? And What Does it Mean for the Future of K-pop?
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Seoulbeats Segments
For Your Viewing Pleasure: Languid Luxury
Week in Review, 2/15 to 2/21
Music and Lyrics: Zion.T, The Conflicted Celebrity
The SB Mixtape, 02/18/2021: Food is My Love Language
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Tag: Best Comebacks (MYR/EYR)
SB End-of-Year Review, 2020: Comebacks Forging Ahead in a Standstill Year
SB Mid-Year Review, 2020: Comebacks that Set New Bars
SB End-of-Year Review, 2019: Comebacks that Push Musical Frontiers
SB Mid-Year Review, 2019: Comebacks Showcasing Artistic Growth
SB End-Of-Year Review, 2018: Comebacks With Range
SB Mid-Year Review, 2018: Comebacks with an Impact
SB End-of-Year Review, 2017: Comebacks Taking K-pop to the Next Level
SB Mid-Year Review, 2017: A Wide Variety of Comebacks
SB End-of-Year Review, 2016: Veteran and Rookie Comebacks Alike Impress
SB Mid-Year Review, 2016: Comeback Comeuppance
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