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The Evolution of the K-pop Album: From Profitability to Innovation
Bite Review: Yeonjun Impresses as a Performer but Falters Musically with “Ggum”
Jimin’s Artistic Evolution Shines in “Muse”
SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
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“Happy” Reflects the Best of Jin’s Voice and Values
The SB Mixtape, 11/14/2024: Surprises
G-Dragon’s “Power”: A Triumphant Return and a Bold Critique of His Drug Scandal
“Imaginary Friend” Sets a New Standard for Itzy’s Artistry
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KCON LA Aspires for a Festival Feel and a Wider Reach
The Midnight Studio: Tackling Death with Choice
Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
A Shop for Killers: Rich in Secrets and Action
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The Evolution of the K-pop Album: From Profitability to Innovation
Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
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For Your Viewing Pleasure: Cool Blue Dawn
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The SB Mixtape, 11/14/2024: Surprises
For Your Viewing Pleasure: Pop, Pop, Pop
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Tag: Album Review
Seventeen Shows Maturity in “You Made My Dawn”
GFriend’s “Time For Us” Proves A Shake-Up In Sound
WayV’s “The Vision” Lacks Original Content
Apink’s “Percent” Has Good Content but Stumbles On Execution
iKon Are Young, Wild and Not OK in “I’m OK”
N.Flying Play It Safe with “Fly High Project #2”
TVXQ Stay Consistent with “The Truth of Love”
Mamamoo Captures the Winter “Blue;s”
Red Velvet’s “RBB” is a Really Good Mini
Onew Finds His “Voice” and It Is Haunting
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