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Editors' Picks
The Evolution of the K-pop Album: From Profitability to Innovation
Bite Review: Yeonjun Impresses as a Performer but Falters Musically with “Ggum”
Jimin’s Artistic Evolution Shines in “Muse”
SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
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Album Review
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BTS
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Red Velvet
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Girls' Generation (SNSD)
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TXT (Tomorrow X Together)
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Music
“Happy” Reflects the Best of Jin’s Voice and Values
The SB Mixtape, 11/14/2024: Surprises
G-Dragon’s “Power”: A Triumphant Return and a Bold Critique of His Drug Scandal
“Imaginary Friend” Sets a New Standard for Itzy’s Artistry
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MV Review
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Album Review
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Big Bang
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G-Dragon
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Idols
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A Virtuous Business: Friendships and Breaking Taboos
KCON LA Aspires for a Festival Feel and a Wider Reach
The Midnight Studio: Tackling Death with Choice
Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
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Taemin
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Concert Review
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Zico
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NCT 127
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Film
Drama
TV
Culture
The Evolution of the K-pop Album: From Profitability to Innovation
Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
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TV/Variety
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Red Velvet
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Girls' Generation (SNSD)
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Twice
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NCT
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Seoulbeats Segments
Week in Review, 11/18 to 11/24
For Your Viewing Pleasure: Cool Blue Dawn
Week in Review, 11/11 to 11/17
The SB Mixtape, 11/14/2024: Surprises
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For Your Viewing Pleasure (FYVP)
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SB Week in Review
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Dawn is Full of Swagger and Sensitivity in “Dawndididawn”
The Anatomy of a Sunset in Wei’s “Identity: First Sight”
Black Pink’s “The Album” Largely Conforms to Expectations
Sub-units: Sublime or Subpar?
Unsung Artists: September 2020
Indie Gem: Billy Carter
SuperM’s “Super One” is a Supergroup in its Infancy
eaJ and Seori Welcome Autumn with “It Just Is”
BDC’s “Shoot the Moon” Uses Symbolism to Explore Emotions
A Prisoner of Their Own Desires: The Boyz’ “Chase”
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