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Editors' Picks
The Evolution of the K-pop Album: From Profitability to Innovation
Bite Review: Yeonjun Impresses as a Performer but Falters Musically with “Ggum”
Jimin’s Artistic Evolution Shines in “Muse”
SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
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Izna’s “N/a” is an Easy, Breezy Debut
The SB Mixtape, 11/28/2024: Sparkling, Softly
“Happy” Reflects the Best of Jin’s Voice and Values
The SB Mixtape, 11/14/2024: Surprises
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SB Mixtape
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A Virtuous Business: Friendships and Breaking Taboos
KCON LA Aspires for a Festival Feel and a Wider Reach
The Midnight Studio: Tackling Death with Choice
Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
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Taemin
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Zico
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The Evolution of the K-pop Album: From Profitability to Innovation
Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
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Seoulbeats Segments
The SB Mixtape, 11/28/2024: Sparkling, Softly
For Your Viewing Pleasure: Love for the Blues
Week in Review, 11/18 to 11/24
For Your Viewing Pleasure: Cool Blue Dawn
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Music
South Club Tries to Channel the Past on “90”
Up10tion’s “Runner” Falls Short Despite Strong Start
Best of Weekly Music Shows: 6/26 – 7/2
Exploring Relationships in “Story About: Some, One Month”
Heize’s “///” Is A Thematic Work of Art
“Flame in Love”: Taemin’s World of Ice and Fire
SB Mid-Year Review, 2017: Contemporary Dance Rises Up
SB Mid-Year Review, 2017: Soloists, Bands, Rappers Dominate Best Album Picks
Hyorin & Kisum Turn “Fruity” into an Effective Summer CF
Mamamoo’s “Purple” Hits on Music, Misses on Lyrics
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