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Unsung Artists: February 2024
Unsung Artists: January 2024
My Demon: Choices and Consequences
The Cross-Genre Experiment Fails in Gyeongseong Creature Ep 8-10
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Sistar
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Bite Review: Zico and Jennie are Effortlessly Hip in “Spot!”
‘Yuq1’ Highlights Yuqi’s Weaknesses
The SB Mixtape, 04/18/2024: Love is Elemental
J-Hope Returns to His Dance Roots to Resolve His Doubts with “Hope on the Street Vol. 1”
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Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
A Shop for Killers: Rich in Secrets and Action
My Demon: Choices and Consequences
The Cross-Genre Experiment Fails in Gyeongseong Creature Ep 8-10
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Park Min-young
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Park Seo-joon
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Lee Dong-wook
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Han So-hee
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Drama
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Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
Pandemic Blues: The Struggle of Small Companies and Idol Groups
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Twice
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NCT
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Seoulbeats Segments
Week in Review, 4/22 to 4/28
For Your Viewing Pleasure: A Subtle Shimmer
Week in Review, 4/15 to 4/21
The SB Mixtape, 04/18/2024: Love is Elemental
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Ive Take Their Confidence to New Heights in “I Am”
Apink Inspires to Never Let Go of Your True Self in “DND”
The SB Mixtape, 04/08/2023: Introducing Unknown Artists
Billlie Trade Experimentation for Cohesion in “the Billage of perception: chapter three”
Jisoo’s “Flower” Withers From A Lack Of Substance
Twice’s “Ready To Be” is a Playfully Profound Call for Liberation
“Expérgo” Awakens a More Definitive NMixx Sound
Jimin is Uncertain, Yet Angry in “Face”
Jimin Uses Familiar Tools to Create His Masterwork with “Like Crazy”
The SB Mixtape, 03/23/2023: Feel Good
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