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SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
Join the Seoulbeats Writing Team!
“Supernova” is Campy, Chaotic, and Peak Aespa
Unsung Artists: February 2024
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SB Mid-Year Review, 2024: Experimentation and Storytelling Stand Out in Albums
Dreamcatcher’s “Justice” Struggles with A Cohesive Topic
Red Velvet Play It Safe in “Cosmic”
Jaejoong’s “Flower Garden” Never Quite Reaches Great
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The Midnight Studio: Tackling Death with Choice
Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
A Shop for Killers: Rich in Secrets and Action
My Demon: Choices and Consequences
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Park Min-young
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Lee Dong-wook
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Kwon Nara
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Kim Hye-jun
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Culture
Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
Pandemic Blues: The Struggle of Small Companies and Idol Groups
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Twice
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NCT
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Seoulbeats Segments
For Your Viewing Pleasure: Sunshine & Rainbows
SB Mid-Year Review, 2024: Bold Imagery is the Name of the (Female-Dominated) MV Game
For Your Viewing Pleasure: Chaos in Colour
Week in Review, 7/8 to 7/14
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Author Archive
Olethea
Author:
Olethea
Jan
7
“Wa Da Da” Fails to Highlight Kep1er’s Best Side
Dec
24
New World Reveals the Good, the Bad, and the Ugly Sides of Humanity
Dec
17
Youth, Rebellion, and the Pressure of Korea’s Education Fever
Nov
7
The Boyz Play by Their Own Rules in “Maverick”
Oct
16
The Great Escape Balances Variety and Storytelling in Its Fourth Season
Oct
8
Sixth Sense Loses Its Novelty In Its Second Season
Sep
24
Who Am I?: Self-identity, Mirrors, and K-pop
Sep
12
Young K Is Everyone’s Hero in “Guard You”
Sep
4
Fromis 9 Are Colourful But Slightly Disappointing in “Talk & Talk”
Aug
28
Brave Girls Experience Tumultuous Post Breakup Grief in “After We Ride”
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