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Editors' Picks
Small Details Shine in “Family By Choice”
Day6 “Forever Young” in Singapore: A Night of Timeless Hits
The Evolution of the K-pop Album: From Profitability to Innovation
Bite Review: Yeonjun Impresses as a Performer but Falters Musically with “Ggum”
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Drama Review
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Red Velvet
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Girls' Generation (SNSD)
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TXT (Tomorrow X Together)
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Music
Rosé Charts a Subtly Bold New Path with “Rosie”
The SB Mixtape, 12/12/2024: A Year in B-sides
Taeyeon’s “Letter To Myself” Addresses the Impact Of Teen Angst
Izna’s “N/a” is an Easy, Breezy Debut
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MV Review
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Album Review
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SB Mixtape
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Taeyeon
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Screen
Small Details Shine in “Family By Choice”
The Trunk Unpacks Trauma and the Path to Healing
A Virtuous Business: Friendships and Breaking Taboos
KCON LA Aspires for a Festival Feel and a Wider Reach
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Taemin
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Concert Review
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Zico
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NCT 127
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Film
Drama
TV
Culture
The Evolution of the K-pop Album: From Profitability to Innovation
Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
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TV/Variety
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Red Velvet
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Girls' Generation (SNSD)
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Twice
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NCT
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Seoulbeats Segments
For Your Viewing Pleasure: Classy in December
Week in Review, 12/9 to 12/15
The SB Mixtape, 12/12/2024: A Year in B-sides
For Your Viewing Pleasure: Statement Shoes
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For Your Viewing Pleasure (FYVP)
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SB Week in Review
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Author Archive
Eileen
Author:
Eileen
Oct
5
Cravity’s “New Wave” is a Burst of Bright and Refreshing Energy
Sep
23
NMixx are Polarizing Once More in “Dice”
Sep
18
Choi Yoojung’s “Sunflower” Doesn’t Quite Blossom
Sep
4
Twice’s “Between 1&2” is a Balance of Cuteness and Sophistication
Aug
24
Yoo Hee-yeol’s Sketchbook: A Regretful Farewell and the Blurry Lines of Plagiarism
Aug
12
Pandemic Blues: The Struggle of Small Companies and Idol Groups
Jul
25
Apink ChoBom Are Mesmerizing as Twins in “Copycat”
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