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The Evolution of the K-pop Album: From Profitability to Innovation
Bite Review: Yeonjun Impresses as a Performer but Falters Musically with “Ggum”
Jimin’s Artistic Evolution Shines in “Muse”
SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
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“Happy” Reflects the Best of Jin’s Voice and Values
The SB Mixtape, 11/14/2024: Surprises
G-Dragon’s “Power”: A Triumphant Return and a Bold Critique of His Drug Scandal
“Imaginary Friend” Sets a New Standard for Itzy’s Artistry
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KCON LA Aspires for a Festival Feel and a Wider Reach
The Midnight Studio: Tackling Death with Choice
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A Shop for Killers: Rich in Secrets and Action
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The Evolution of the K-pop Album: From Profitability to Innovation
Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
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For Your Viewing Pleasure: Cool Blue Dawn
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The SB Mixtape, 11/14/2024: Surprises
For Your Viewing Pleasure: Pop, Pop, Pop
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Tag: MV Review
Dreamcatcher Protects the Innocent with “BOCA”
Oneus Turn Hamlet into a K-pop Masterpiece with “To Be or Not To Be”
Itzy’s “Not Shy” is a Playful Spin on Westerns
Wonho’s “Losing You” is an Intimate Love Letter to His Fans
Woo Won-jae Looks to His Past to Shape His Future on “Used To”
ONF’s “Sukhumvit Swimming” is an Exhilarating and Unique Spin on Summer
Treasure’s “Boy” Fails to Live Up to the Hype
1Team are Childish Friends in “Ullaeli Kkollaeli”
Taemin’s “2 Kids” is a Simple but Intriguing Prelude
Eric Nam Unravels the Complexity of “Paradise”
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