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The Evolution of the K-pop Album: From Profitability to Innovation
Bite Review: Yeonjun Impresses as a Performer but Falters Musically with “Ggum”
Jimin’s Artistic Evolution Shines in “Muse”
SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
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“Happy” Reflects the Best of Jin’s Voice and Values
The SB Mixtape, 11/14/2024: Surprises
G-Dragon’s “Power”: A Triumphant Return and a Bold Critique of His Drug Scandal
“Imaginary Friend” Sets a New Standard for Itzy’s Artistry
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KCON LA Aspires for a Festival Feel and a Wider Reach
The Midnight Studio: Tackling Death with Choice
Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
A Shop for Killers: Rich in Secrets and Action
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The Evolution of the K-pop Album: From Profitability to Innovation
Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
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For Your Viewing Pleasure: Cool Blue Dawn
Week in Review, 11/11 to 11/17
The SB Mixtape, 11/14/2024: Surprises
For Your Viewing Pleasure: Pop, Pop, Pop
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Tag: MV Review
Loona’s “Why Not?” is a Clumsy Mash-up of Signature Aesthetics
Weeekly “Zig Zag” through their Teenage Dilemmas
Pentagon Explores New Beginnings with “Daisy”
eaJ and Seori Welcome Autumn with “It Just Is”
BDC’s “Shoot the Moon” Uses Symbolism to Explore Emotions
SuperM’s Seven Members Finally Become “One”
The Boyz Fall Short of Stealing the Show with “The Stealer”
Moonbin & Sanha Infiltrate the Mind in “Bad Idea”
YooA is an Enchanting Forest Child on a Dreamy “Bon voyage”
AOMG Introduces Producer GooseBumps with the Release of “Somewhere”
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