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The Evolution of the K-pop Album: From Profitability to Innovation
Bite Review: Yeonjun Impresses as a Performer but Falters Musically with “Ggum”
Jimin’s Artistic Evolution Shines in “Muse”
SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
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“Happy” Reflects the Best of Jin’s Voice and Values
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KCON LA Aspires for a Festival Feel and a Wider Reach
The Midnight Studio: Tackling Death with Choice
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A Shop for Killers: Rich in Secrets and Action
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The Evolution of the K-pop Album: From Profitability to Innovation
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Kim Garam and the Power of Fans in Shaping Idol Narratives
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For Your Viewing Pleasure: Cool Blue Dawn
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The SB Mixtape, 11/14/2024: Surprises
For Your Viewing Pleasure: Pop, Pop, Pop
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Tag: MV Review
AB6IX’s “Stay Young” is Sweet Albeit Underwhelming
Yubin’s “Perfume” Is Darkly Glamourous
(G)I-dle are Simply Vulnerable in “Hwaa”
Victon Forges Ahead in “What I Said”
Rain and JYP’s “Switch to me” is Delightfully Campy
Giriboy’s “It Was Love” Uses Symbolism to Depict Toxicity in a Relationship
DPR Ian’s “No Blueberries” is Beautifully and Artistically Shot
Baek Yerin Creates her own Haunting Cinema with Sequel MV “Hate You”
Jun. K’s “30 Minutes Might Be Too Long” is Filled With Twists and Turns
Iz One Favor Style Over Substance in “Panorama”
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