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The Evolution of the K-pop Album: From Profitability to Innovation
Bite Review: Yeonjun Impresses as a Performer but Falters Musically with “Ggum”
Jimin’s Artistic Evolution Shines in “Muse”
SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
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“Happy” Reflects the Best of Jin’s Voice and Values
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“Imaginary Friend” Sets a New Standard for Itzy’s Artistry
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KCON LA Aspires for a Festival Feel and a Wider Reach
The Midnight Studio: Tackling Death with Choice
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A Shop for Killers: Rich in Secrets and Action
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The Evolution of the K-pop Album: From Profitability to Innovation
Boys Planet: The End of “K-pop” As We Know It
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Kim Garam and the Power of Fans in Shaping Idol Narratives
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For Your Viewing Pleasure: Pop, Pop, Pop
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Tag: Album Review
“New Rules” Showcases Weki Meki’s True Strengths
Dawn is Full of Swagger and Sensitivity in “Dawndididawn”
The Anatomy of a Sunset in Wei’s “Identity: First Sight”
Black Pink’s “The Album” Largely Conforms to Expectations
Indie Gem: Billy Carter
SuperM’s “Super One” is a Supergroup in its Infancy
A Prisoner of Their Own Desires: The Boyz’ “Chase”
Everglow Shakes Things Up With “-77.82 x -78.29”
VAV Bids Farewell in “Made For Two”
Stray Kids’ “In Life” Deals with the Stress of Life
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