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The Evolution of the K-pop Album: From Profitability to Innovation
Bite Review: Yeonjun Impresses as a Performer but Falters Musically with “Ggum”
Jimin’s Artistic Evolution Shines in “Muse”
SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
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“Happy” Reflects the Best of Jin’s Voice and Values
The SB Mixtape, 11/14/2024: Surprises
G-Dragon’s “Power”: A Triumphant Return and a Bold Critique of His Drug Scandal
“Imaginary Friend” Sets a New Standard for Itzy’s Artistry
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A Virtuous Business: Friendships and Breaking Taboos
KCON LA Aspires for a Festival Feel and a Wider Reach
The Midnight Studio: Tackling Death with Choice
Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
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The Evolution of the K-pop Album: From Profitability to Innovation
Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
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For Your Viewing Pleasure: Love for the Blues
Week in Review, 11/18 to 11/24
For Your Viewing Pleasure: Cool Blue Dawn
Week in Review, 11/11 to 11/17
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Tag: Album Review
D.O. Captures Small Moments of Love in “Empathy”
OnlyOneOf Continues Subverting Idol Expectations on “Produced by [myself]”
SF9’s “Turn Over” Is Good, but It Could’ve Been Great
Soyeon Floats on Summertime Beats in “Windy”
Fusion, Karma, and Nirvana in Kingdom’s “History of Kingdom: Part II. Chiwoo”
Even of Day Marches Ahead in “Right Through Me”
Loona’s “&” is a Mixed Bag of Genres
NCT Dream Say Goodbye Youth and “Hello Future”
2PM are a Different Kind of Beast Idol on “Must”
Mermaids Turned Siren: A.C.E.’s “Siren: Dawn”
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