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Squid Game 2: More Comedy and Caution as Netflix’s Golden Goose Returns
Small Details Shine in “Family By Choice”
Day6 “Forever Young” in Singapore: A Night of Timeless Hits
The Evolution of the K-pop Album: From Profitability to Innovation
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SB End-of-Year Review, 2024: Promising Debuts Grow Anticipation for the Future
SB End-of-Year Review, 2024: Stellar Comebacks from Industry Veterans and Rising Stars
SB End-of-Year Review, 2024: MVs Full of Introspection, Social Commentary, and Fun
Unsung Artists: November – December 2024
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IU
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Small Details Shine in “Family By Choice”
The Trunk Unpacks Trauma and the Path to Healing
A Virtuous Business: Friendships and Breaking Taboos
KCON LA Aspires for a Festival Feel and a Wider Reach
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Taemin
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The Evolution of the K-pop Album: From Profitability to Innovation
Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
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Seoulbeats Segments
For Your Viewing Pleasure: A Spunky New Year
SB End-of-Year Review, 2024: Promising Debuts Grow Anticipation for the Future
SB End-of-Year Review, 2024: Stellar Comebacks from Industry Veterans and Rising Stars
Week in Review, 12/30 to 1/5
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Music
Music
SuperM’s “Super One” is a Supergroup in its Infancy
eaJ and Seori Welcome Autumn with “It Just Is”
BDC’s “Shoot the Moon” Uses Symbolism to Explore Emotions
A Prisoner of Their Own Desires: The Boyz’ “Chase”
VAV Bids Farewell in “Made For Two”
The Boyz Fall Short of Stealing the Show with “The Stealer”
Stray Kids’ “In Life” Deals with the Stress of Life
Fromis 9 Are Pleasantly Pedestrian in “My Little Society”
“Back Door” is Stray Kids at Their Most Refined Yet
Moonbin & Sanha’s “IN-OUT” is Dark, Mature, and Lonely
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