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Editors' Picks
The Evolution of the K-pop Album: From Profitability to Innovation
Bite Review: Yeonjun Impresses as a Performer but Falters Musically with “Ggum”
Jimin’s Artistic Evolution Shines in “Muse”
SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
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Red Velvet
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Music
“Imaginary Friend” Sets a New Standard for Itzy’s Artistry
The SB Mixtape, 10/31/2024: A Bittersweet Symphony
Illit’s “Cherish (My Love)” is a Whimsical Exploration of Love and Pain
Bite Review: “APT.” is a Masterclass in Fun from Rosé and Bruno Mars
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G-Dragon
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SB Mixtape
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Wonder Girls
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Idols
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KCON LA Aspires for a Festival Feel and a Wider Reach
The Midnight Studio: Tackling Death with Choice
Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
A Shop for Killers: Rich in Secrets and Action
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Taemin
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Concert Review
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Zico
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NCT 127
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Film
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The Evolution of the K-pop Album: From Profitability to Innovation
Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
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TV/Variety
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Red Velvet
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Twice
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Seoulbeats Segments
Week in Review, 10/28 to 11/3
The SB Mixtape, 10/31/2024: A Bittersweet Symphony
Beats of the Month: Culinary Class Wars & Aespa Bring Excitement to Autumn
For Your Viewing Pleasure: Keeping Cosy
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For Your Viewing Pleasure (FYVP)
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SB Week in Review
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Author Archive
Zuzanna
Author:
Zuzanna
Aug
5
The Rose Prove that Rock Is Not Dead with “Back to Me” and “Alive”
May
16
(G)I-dle Tackle Self-image Issues in Y2K Inspired “Allergy” MV
Feb
20
Decision to Leave: True Love or Idle Escapism?
Nov
24
Bibi Embraces Her Dark Feminine Power in “Lowlife Princess: Noir”
Aug
20
“Who Am I” Sees Craxy Take a Confident Step Into the Darkness
Aug
9
Meenoi’s Yorizori Adds Adorable Awkwardness to Variety TV
Jul
30
Zico Makes the End of the World Look Fun in “Freak”
Jul
25
The Merits of Flawed Main Characters in Comforting K-Dramas
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