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Editors' Picks
Wonho Misses The Potential to Explore His Duality in “Facade”
Victon Enter a Hazy, Dark Dreamscape in “Stupid O’Clock”
Tomorrow: A Flawed but Compassionate Probe into Human Despair
Monsta X’s “Shape of Love” is Finely-Tuned K-pop That Comes From Experience
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Side B: Riding the Highs and Lows with Mamamoo
Pixy are Chic, Bewitched Antiheroes in “Reborn”
Dawn’s “Stupid Cool” is a Love Letter to Hyuna
Wonho Makes a Trippy, Striking Return with “Crazy”
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Music
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Our Blues, Ep. 11-20: Heartwarming and Heartbreaking Till the End
Green Mothers’ Club, Ep. 9-16: The Pursuit of Happiness
Tomorrow: A Flawed but Compassionate Probe into Human Despair
Our Blues, Ep. 1-10: Exploring the Bitter Blues of Life
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Shin Min Ah
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Kim Woo-bin
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Cha Seung-won
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Pass the K-popcorn: Predicting 2022
GOT the Beat: A Disastrous Attempt at Girl Power That Instead Exemplifies K-pop’s Misogyny Problem
Home Sweet Home?: Horror and Home in “Squid Game” and K-pop MVs
Youth, Rebellion, and the Pressure of Korea’s Education Fever
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SM Entertainment
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Seoulbeats Segments
Side B: Riding the Highs and Lows with Mamamoo
For Your Viewing Pleasure: Step into the Light
Week in Review, 6/13 to 9/19
The SB Mixtape, 06/16/2022: Summer Breeze
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Tag Archive
Tag: Best MVs (MYR/EYR)
SB End-of-Year Review, 2021: Dreamy and Bold MVs Captivate
SB Mid-Year Review, 2021: MVs Thrive on Thoughtful Details and Unexpected Twists
SB End-of-Year Review, 2020: Cinematic MVs Keep Us Enthralled in Quarantine
SB Mid-Year Review, 2020: Compelling Narratives vs Striking Visuals in MVs
SB End-of-Year Review, 2019: Boundary-Breaking MVs Take the Lead
SB Mid-Year Review, 2019: Symbolism and Artistry Captivate in MVs
SB End-of-Year Review, 2018: Creativity Takes Center Stage in MVs
SB Mid-Year Review, 2018: Sentimentality and Aesthetics Make MVs Resonate
SB End-of-Year Review, 2017: Tongue-in-Cheek Aesthetics Make MVs Stand Out
SB Mid-Year Review, 2017: A Variety of Niches in MVs
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