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Unsung Artists: February 2024
Unsung Artists: January 2024
My Demon: Choices and Consequences
The Cross-Genre Experiment Fails in Gyeongseong Creature Ep 8-10
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The SB Mixtape, 04/18/2024: Love is Elemental
J-Hope Returns to His Dance Roots to Resolve His Doubts with “Hope on the Street Vol. 1”
NCT Dream Go for Grown-up on “Dream()scape”
The SB Mixtape, 4/4/2024: A Shot of Energy
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Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
A Shop for Killers: Rich in Secrets and Action
My Demon: Choices and Consequences
The Cross-Genre Experiment Fails in Gyeongseong Creature Ep 8-10
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Park Min-young
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Park Seo-joon
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Lee Dong-wook
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Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
Pandemic Blues: The Struggle of Small Companies and Idol Groups
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Seoulbeats Segments
For Your Viewing Pleasure: A Subtle Shimmer
Week in Review, 4/15 to 4/21
The SB Mixtape, 04/18/2024: Love is Elemental
For Your Viewing Pleasure: Sunshine & Midnights
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Tag Archive
Tag: Album Review
“Silent Boarding Gate” Unveils a Different Jun
Kim Wooseok Becomes a Pastel (Sexy) Candy Man in “2nd Desire: Tasty”
Dreamcatcher are Torn between Genres in “Dystopia: Road to Utopia”
Bobby’s “Lucky Man”: When Unique Becomes Obscure
Hubris and Desire in Oneus’s “Devil”
Hoppipolla Dives Deep With “And Then There Was Us”
Stellar Lyrics Buoy “Epik High Is Here”
AB6IX Continues to Explore Their Sound with “Salute: A New Hope”
Treasure Still Hasn’t Taken “The First Step” Towards a Unique Identity
(G)I-dle’s “I Burn” is a Mature and Creative Take on a Breakup Album
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